- Start with an incident, something that clangs in your head.
- Conflict
- An action, an experience that you have been to.
- Conflict
- Develop a setting.
- Emphasis- Fight with brother is reflective in a raging storm outside.
- Contrast- Titanic is beautiful and is opposite of the death that it caused.
- Emphasis- Fight with brother is reflective in a raging storm outside.
- Choose your characters
- Limit yourself to five for a short story
- Limit yourself to fifteen for novels
- When you name your characters, choose a different letter of the alphabet.
- Limit yourself to five for a short story
- Choose your protagonist.
- He must be a sympathetic character.
- The character thinks of other people
- He can love (his dog, his wife, anything reciprocal)
- He is vulnerable
- He is in jeopardy
- He's doomed and still noble
- The character thinks of other people
- Give your characters Motive
- Why did someone do what he did?
- Remember: you don't have to motivate kindness, but you have to motivate cruelty.
- Why did someone do what he did?
- Choose the person, either first or third.
- Know where your story will end. Decide whether you will just quit, or tie up your loose endings. Always end with either: Action, Dialogue, or Image.
March 6, 2008
Pat Carr’s Steps for Writing
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